Blues for a Purple State

i.

We wake with arrowheads—
our hands clamped around dreams,
dreams of hummocky bodies
glacial names tattooed
on each blue-rivered forearm.
What does it mean to hunger
for shards,
a glossary to story us?

ii.

How shall we story our swing state?
Unreliable in polls, in policy.
Fickle Wisconsin. My home. My heart.

My headache. I grow more blue, fretful
over union-breaking, mines, redistricting.
I suggest a time-out or counseling.

We need to reconcile, mend our rifts—
for our children and grandchildren
and grandchildren’s children—our future.

Our future, Wisconsin, should re-member
our past—put back together the stories
and bodies, lands and beliefs broken.

iii.

Imagine with me metamorphic becoming,
each miraculous emergence:
oceans and islands
rising receding rising
in their dance with volcanic force
Our lives, too, servant to the alchemy
to the carving gusts of wind and water,
time—and telling.

iv.

What story, Wisconsin? Will we tell
of Black Hawk or removed tribes,
of Vel Phillips and housing marches?

What story of Menominee and termination,
treaty rights, spearfishing, and treaty beer?
What story of Gaylord Nelson and Earth Day?

Beloved state of red cliffs and blue waters—
Mesconsing. Will we once again speak
the banned words (climate change)?

Our history Janus-faced, we live torn
between better angels and false memes
Overfed inheritors of strife—hungry for civility.

v.

Sometimes the story is simple:
the etched back of Turtle that holds us—
it asks only belief.
Earthdivers one and all—sleek
water bodies surfacing,
emerge to sing on holy ground.

In anticipation of the opening of ​our new space in September 2024, we ​invited active participants and longtime contributors to the artistic communities in Wisconsin to write about the cultural context of this region​. While we recognize​d the impossibility of capturing ​this state in its entirety through this one endeavour, ​the goal was to gather a range of perspectives to provide a fuller and more complex understanding of the artistic production of this ​region. ​We welcomed thoughtful, critical pieces that allow readers to see the artistic milieu, or t​his place, in a new light, reflections on ​Wisconsin's histories that have defined its present, or future-facing pieces that guide us towards new directions.​

Contributor

Kimberly Blaeser

Kimberly Blaeser

Kimberly Blaeser, past Wisconsin Poet Laureate and founding director of Indigenous Nations Poets, is a poet, photographer, and scholar. She is the author of six poetry collections—including Ancient Light, Copper Yearning, and Résister en dansant/Ikwe-niimi: Dancing Resistance. An enrolled member of White Earth Nation, Blaeser is an Anishinaabe activist and environmentalist. She is an MFA faculty member at Institute of American Indian Arts, and a Professor Emerita at University of Wisconsin–Milwaukee.